Hi, crafty friends! I’m so happy to be back in the craft room on a somewhat regular basis. The months of mid October through mid January were insane, and I had no crafty time whatsoever, but that’s changed now. I have a fun card to share today, featuring this Hugs image from Purple Onion Designs, illustrated by Julian Charlton. I love his Elliot & Marcel images, they’re quirky and cute and just perfect.
I chose to color Elliot in a very soft grey, and once fully colored, fussy cut the image leaving a thin white border. I put the image aside and started working on the rest of the card.
I felt a landscape design would work best for what I had in mind, and used the Geometric Landscape stencil from Altenew to create some interest in the background with blue inks, also from Altenew. I used the entire Lapis Lazuli color palette from Altenew for my blending, (Azurite, Ultramarine, Eastern Sky, Iceberg) which fades to white at the top.
Using the Sending You Hugs die from My Favorite Things, I die cut the letters to spell out HUG four times from white cardstock from Papertrey Ink, which happens to be the same cardstock I used for my cardbase. I love their white cardstock, it’s the best by far. I stacked the letters for dimension and stamped and white heat embossed a punny sentiment that comes with Elliot & Marcel. There are actually a few more sentiments in the set, and I added another one to the inside of the card. I didn’t have the right color cardstock, though, so I cheated and covered white cardstock with the Azurite color, which is the darkest of the four blues I used for the blending of the background. To create the sentiment strip, I went direct to paper, and used my heat tool to speed up the drying process of the ink so I could stamp and heat emboss on top. I added three additional strips of cardstock behind it to make it flush with the die cut letters, adhered it to the card and finished off with a few sequins from the White Orchid Sequin mix from Little Things from Lucy’s Cards.
I chimply love punny sentiments and couldn’t resist.
Very simple color palette for this one. This was fast to color.
Cue 
I’ve always been a fan of creating blue Christmas cards, but in the past couple of years, green has grown on me, and I think I made more green Christmas cards this year than blue ones. It helps that I’ve found a green Copic combo that I really like.
When all the coloring was done, I stamped and white heat embossed a sentiment from the 
Lots of Copics for this one.
I used a white Gelly Roll 05 pen to create the white dots on the deer, and a die from the A2 Stitched Rectangles STAX 2 set from My Favorite Things to create the faux stitching on the edges of the panel. By not stamping the entire deer, it creates a dynamic effect of having it walk in from the edge of the card.
I stamped a sentiment from the 
The pink and blue green color combination is definitely not traditional for Christmas, but I kind of like it. What do you think, does it work?
Quite a few Copics for such a simple card.
I wanted to make a peaceful scene for this card. I stamped and masked 
I masked off the background too, before going in with my Copic airbrush system to create a soft winter sunset. I then peeled off the masks, colored the background, then everything else.
I left the red details till the end. I don’t want to run the risk of other colors picking up the red, so by leaving it to the end, I avoid that.
Looks like these reindeer are very patiently waiting for Santa. I wonder where he is? Actually, yesterday on my way to work, I saw a passenger on the bus with a long red Santa hat.
I didn’t want to mess up the sky with a sentiment, and the bottom part of the card is too full for one. I might put one inside, but to finish the card, I merely adhered my scene onto a top fold card base I created from Stormy Sea cardstock from Papertrey Ink. The finished card measures 6 x 5 3/8″, which is a bit of an odd size, but I prefer making my card size fit the scene and not the other way around when I create these full scene cards with Purple Onion images.
Not a whole lot of Copics for this one, actually.
I love creating these scenes with Stacey’s images. It’s a time consuming process, as I create masks for each critter and fussy cut them, but the end result is always worth it.
I stamped Winter and Balsam using Extreme Black ink from My Favorite Things before covering both of them with masks. I then did second generation stamping of Santa’s workshop using Memento Rich Cocoa ink, using first generation for the signage only. I like the softer look of the brown lettering in the background. I stamped the silhouette of Santa’s sleigh using VersaFine Onyx Black ink AFTER I’d colored in the entire scene. This is an ink that stamps very black and very crisp, but it’s a pigment ink and doesn’t play well with Copics, so it’s best to leave it to the end. I stamped the sentiment using Blueberry Sky ink from Papertrey Ink.
I also went back over the “cast iron” of the OPEN sign using a 0.3 cool gray multiliner from Copic and added white dots on the penguin’s hat and scarf using my white Gelly Roll 05.
I sprinkled on chunky white embossing enamel from Stampendous, melted the granules from the back of the paper and adhered my finished scene onto a 5 3/4 x 4 1/2″ white card base, making this card slightly larger than the regular A2 size card.
Lots of Copics used for this one.
There are some awesome stamps in the 
Whenever the design team members get a glimpse of the new collection, I start my planning process. I sketch out very rough card ideas using the stamps I’d like to work with, send my stamp wish list off to Michele, the owner of Purple Onion Designs, and then wait patiently for the stamps to arrive.
Whenever there’s a new collection I like to create scenes to show off as many of the cute images as possible (without overcrowding the card), and for this card I stamped 
I always start by coloring the sky, and for this collection, I wanted each of my cards to have a different sky. I tend to go for all blues, but winter sunsets are explosions of color, so I was very conscious of that when I created my card. Once the sky was done, I colored the snow, followed by the trees and that cute fence, before starting with the rest of the scene.
I colored the critters, then the arch and finally all the red. I always leave the red details to the very end. It eliminates the chance of smearing and getting red ink where you don’t want it when you go in with another color right next to it. I wrote Happy Holidays with a black 0.35 Copic pen before coloring, but once the red was colored, you could hardly see the lettering, so I went back over with a white 05 Gelly Roll pen, and the text is much more visible now. My Ps are a little further apart than I’d like, and they’re also leaning a tiny bit to the right, but it’s a homemade card, it’s not supposed to be perfect, right?
Whenever I create these scene cards with Purple Onion images, I always let the stamping and the scene itself dictate the size of the finished card. This one wound up at 5 1/4 x 5 1/4″, which seemed pretty perfect. I haven’t made a square card in a while, so this was fun.
I used an obscene amount of Copics for this card.
For this card, I chose 
I didn’t want a dark night sky for this card. I also didn’t want it to have a basic blue sky, because I wanted to add lots of snow, and it doesn’t really snow from clear skies. I opted for a soft blue violet combo that wasn’t too dark and that fit the snowy scene look I was after.
When everything was colored, I stamped a sentiment from 
I sprinkled on a generous amount of chunky white embossing enamel from Stampendous, making sure no granules covered up the critters’ eyes or the sentiment, before melting the granules from the back of the panel. I then adhered it directly to a top fold white card base, and my card was complete.
Lots of Copics for this one.
I created a very simple scene for this card, stamping the snowman in Fadeout ink from Inkon3 before adding a mask, then stamping the 
Every once in a while, I break out my airbrush system. I actually keep it out on my desk, but I have a big desk and don’t usually sit close to it. I love the airbrush system, it’s such an awesome way to get a layer of color quickly. Coloring an entire nighttime sky with Copics takes a while, airbrushing it is faster. Use colors that are darker than what you think you want, and make sure there’s enough ink in the marker before starting. I used B99 and B97 for this sky, and it’s wonderfully dark and the perfect backdrop for the lighter colors of the snowy scene in front.
Once I finished the airbrushing, I carefully removed the masks and did no line coloring of the rest of the scene. At this point, I’ve colored snow so often, I can do it in my sleep. This snowman is pretty easy to color too, most of the areas are pretty big surfaces, so it’s a very forgiving image.
After I finished my coloring, I stamped and white heat embossed a sentiment in the sky. The sentiment is actually from the Scripty Xmas stamp set from Mama Elephant, I kind of forgot for a second that I was creating a Purple Onion card, I was a little lost in a creative zone. After heat embossing the sentiment, I sprinkled on chunky white embossing enamel from Stampendous to create my super snowy scene, making sure to remove any granules that landed on top of the embossed letters before melting the granules from the back.
I trimmed 1/8″ off each side of my scene and adhered it to a white card base I created from white cardstock from Papertrey Ink, deciding not to add any embellishments. I figured there was enough going on already with all the snow.
As usual – lots of colors used for the snow. The two blues at the very bottom after the break are the colors I used for the airbrushed sky.
Using the Itsy Bitsy Polka Dot Backdrop die from Lawn Fawn, I die cut a panel of white cardstock from Papertrey Ink to add a little bit of texture to the front of my card. I adhered it to a quarter panel of Blue Breeze cardstock from My Favorite Things, before using the Selfie Square die, also from My Favorite Things, to die cut a window in the top center.
I put foam tape on the back of my polka dot panel and adhered it to my colored piece, making sure to line up the image so it would show trough the window the way I wanted it to. I then grabbed a quarter panel of Jalapeño Popper cardstock from My Favorite Things and used my G99 Copic marker and scribbled it close to the edge of the green cardstock to make the color match my car a little bit better. Green cardstock is tricky, and I don’t often find the right kind of green that I want for my projects. This was an easy hack, but if anyone out there has a suggestion for a green cardstock that is close in color to G99 (or G94), please let me know.
I adhered my improved green cardstock to an A2 top fold white note card and mounted the polka dot piece with the colored window using foam tape – lots of it. I then used the same Blue Breeze cardstock that I used previously to cut the word merry three times using the Merry Script die from Mama Elephant. I love their script dies! On the top layer I spritzed sheer shimmer craft spray from Imagine for a bit of sparkle to the letters. Unfortunately, details like that are tricky to photograph, but it’s definitely noticeable in real life, trust me 🙂
Onto a leftover scrap of X-Press It blending card, I scribbled an even layer of G99 to create a dark green cardstock that would match my colored image. Onto it, I white heat embossed the word 
I love my Copics and used quite a few for this rather simple image.
I stamped April (the bunny on the swing), masked off the rope of the swing, stamped the 
When I color full panels like this, I usually color the sky blue, but I wanted to shake things up a little for this card and gave it a soft sunset vibe instead. I live far enough north that the sun doesn’t really set until really late at night in the summer, but a girl can pretend, right? Anything goes when it’s a card, it doesn’t have to be very realistic – not that a bunny on a swing (or one holding a flower for that matter) is very realistic to begin with.
I lost track of how many layers of green I added for the grass. I wanted it to be light and soft looking almost fading into white in the background to make the foreground stand out, and darker in the foreground so the critters would look like they belonged to the scene. I started with the lighter colors for my blends, then kept introducing darker greens towards the bottom and fading up into the background until I found the intensity I was after.
Once I finished coloring in the scene, I added a sentiment from the 
I trimmed off 1/16″ on all four sides of my colored panel and adhered it to a white card base I created from Stamper’s Select White cardstock from Papertrey Ink. I thought about leaving the panel a full size, but I really like the border the white cardstock gives, it’s a nice little frame.
I find it odd that I rarely use more colors for full panels like this than just a simple image, but that tends to be how it is around here.
Papirmølla 